A 12 hectare private Garden of
Cosmic Speculation is a sculpture garden created by Charles Jencks at his home,
Portrack House, in Dumfriesshire, Scotland. The renowned landscape architect
and theorist Jencks’ work, is inspired by the modern cosmology of science and
mathematics. He has also designed the distinguishing Landform at the Scottish
National Gallery of Modern Art. The Garden of Cosmic Speculation celebrates nature, both intellectually and through the senses, including the sense of
humor.
The Garden of Cosmic Speculation
has black holes, Comets, Big Bang or twisting DNA helixes, and fractals. Normally
gardens are having many trees and plants, but this garden is not abundant with
plants. However, it sets mathematical formulae and scientific phenomena in a
setting that elegantly combines natural features and artificial symmetry and
curves. Indeed it is very exclusive among gardens, drawing comparisons with a
similarly abstract garden in Scotland.
As the garden is private but generally
opens for only five hours on one day each year through the Gardens program of
Scotland. The Charles Jencks raises the money for the Cancer Care Charity center
for 1,500 tickets sold each year. In 2014, the literature The Long Way Home uses
The Garden of Cosmic Speculation as an important plot device in her tenth
Inspector Gamache mystery. The Garden is no longer dialogue with the universe;
however, it is a monologue about the universe. The Garden of Cosmic Speculation is
a representation of an unconventional approach.
According to Wikipedia
- In the book of Cameron Jace makes creative use of The Garden of Cosmic
Speculation in his fictional novel titled Circus, which is the third
installment of his Insanity series. Jace uses many true facts when referring to the 'public' knowledge of the garden, but changed the name of the designer to
better fit into the story's plotline. The garden located near Dumfries in
south-west Scotland, famous due to its unusual design. The Garden of Cosmic
Speculation doesn't boast plant diversity, its symmetry and snail-like curves
are surely appealing. In the Garden, there are artificial lakes, staircases, bridges,
and terraces that reflect the story of universe creation.
When Jenck’s started the idea of
making the garden, the larger issues of the cosmos were considered. However, with the passage of time, he thinks about nature to contemplate and speculate
on the origins of the universe. The garden is the most compelling motive idea of the microcosm
to celebrate the place in the universe. A water cascade of terrace shows the
distortion of space and time caused by a black hole, a “Quark Walk” takes the sightseer
on a trip to the smallest building blocks of matter, and a series of landforms
and lakes recall fractal geometry.
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